J.N. (NV), D-D. W. (L.A.), A. B. (L.A.), P. B. (L.A.), E. D. (NV), B. R. (N.Y.), T. S. (NV), J. M. (L.A.), E.D. (NV)
One of several wood optical viewers after a winter and more of abuse- from the 3rd edition of Wood Opticons with color slides, Pacific Crest Trail. I’m working on a new edition of optical viewers to be placed on the PCT again. They will be in a different form but still stand, planted in the ground. I’ve been using color slides, but I’m considering black and white slides with this group of objects.
Quagmire, #2- 2017
Plumas National Forest
Urban vanguard…to gentrification?
Sarah Lillegard in her studio inside Cuddleworks of Reno, a still financially reasonable arts and industrial district amidst the growing distillery-brewery-foodie economic growth that’s exploding (and therefore accompanying real estate grab).
Cherokee Bobi: a restoration volunteer in the northern Sierra Nevada. He drove his Power Wagon from Colorado. The restoration work is being done on guard station buildings (five) built in the early 20th century. One is a cabin built in the teens. The Forest Service then built the other 4 structures by the 1930’s. They haven’t been used since the 1980’s. There is hope that the Pacific Crest Trail Association will use them as a base camp for PCT hikers. That location is a stop over, food re-stocking and take stock juncture along the PCT. This would provide a legitimate base camp for a location that has historically always been a prime spot for one. The nearby town of Sierra City has provided, informally, this role. (olympus om-d)
North Fork American River, northern Sierra Nevada… 2,700 ft elevation drop to the river bed from the trailhead. After years of drought the last winter (even though not spectacular) makes this area feel over-grown.
Medium Format Opticon, edition #1. 2016.
The slide viewer holding the slide has a 52 mm lens attachment on the back-lit side of the viewer to mediate, just a bit, how the color image is picked up by the eye.
The smaller images of the piece in progress:
The map reveals the location of the image captured, northern Sierra Nevada. The base for the viewing object is seen on the right. A medium format color slide will sit in the viewer, yet to be finished.
2016 (olympus om-d)
Young Blood exhibit, Holland Project Gallery- Feb. 2016
(olympus om-d with 50 mm zukio legacy lens)
I documented the opening of this exhibit, bi-annual, that we at the Holland Project Gallery hold for younger artists. Well dressed, and excited up and comers. The art cuts through the bullshit and presents if not honesty certainly sincerity and vulnerability (a few qualities almost purged from academic art these days).
Curiosities 1-14, fall 2015
Wood optical slide viewers at the Plumas County Museum, Quincy Ca. Oct -Nov 2015.
Each wood viewer holds a color slide of an object I made, with the exception of one slide. These visions of curiosities will hopefully hold their own amidst the collections of a country museum. Each wall lined with the optical viewers are anchored by a framed digital print.
Opticons 2-9, summer 2015
I showed these wood optical slide viewers at a site series put on by the Fine Arts Dept., Sierra Nevada College- Incline Village. My work mingled with a naturalist, historian and other disciplines with a historic Basque oven at the center of it all. Chef Big Foot baked hand made pizzas in the oven.
The life for these Wood Opticons culminated in the upper elevations of the Sierra Nevada, waiting for the unsuspecting attention of backpackers.
Wood Opticons: 2-9. spring 2015
These were exhibited in the Community Space Gallery, Lake Tahoe March-Feb. Each holds a color slide. In May they will be placed on-site near the Pacific Crest Trail near the Sierra Buttes, Ca.
Wood Opticon- #1 of a series. 2014
The viewer holds a color slide that can bee seen with back-lighting from a window or artificial light. The slide is a location where the high desert meets the eastern Sierra Nevada.
Camera Obscura (2). 2013
From the exhibit Tête-À-Tête Emulsion (May 2013), an exhibit of select photographs I’ve taken over the last few years, digitally derived and from the darkroom… and photographic objects I’ve designed and built. The Camera Obscura (2) was made specifically for the exhibit.
Mobile Camera Obscura Project: Black Rock City Portraits 2013
-15 second digital exposures, pinhole lens-
Mobile Camera Obscura-2013
-15 second digital exposures and 4 minute direct contact exposures on 16×20 rc paper-
Select Objects and Photographs: